12 June 2026 – Friday
12 June 2026 – Friday

The Female Figure as Cultural Mirror: A Comparative Study of The Burial of Atala, Street, Berlin, and Woman I

A comparative study of how three artists across three centuries used the female figure to reflect, critique, and challenge the societies that shaped them.
Serving as a mirror to societies that produce them, Anne-Louis Girodet-Trioson’s The Burial of Atala (1808, France), Ernst Ludwig Kirchner’s Street, Berlin (1913, Germany), and Willem de Kooning’s Woman I (1950–1952, USA) reflect politics, religion, and social unrest. Placing…

This Must Be the Place: Bocconi Donor Event 2026

This Must Be the Place: Bocconi Donor Event 2026 The bright lights of the majestic Aula Magna that we all know and love slowly faded into darkness, as the piano melody of Professor Paolo Alderighi accompanied on stage the actor Gioele Dix. In the middle of the scene was a desk, with sheets of paper on it. Dix, in the part of our founder Ferdinando Bocconi, began reading the letter in a calm and expressive voice: the words of Ferdinando penetrated the silence with the sharp effect of timeless wisdom. The most striking and modern part of the letter, sent by Bocconi to an economics journal to announce the opening of our school almost 125 years ago, are those about donations. “I wish to establish that it is allowed for others to contribute to it [the institute], by assigning scholarships to worthy students to support them and encourage them.” With such fitting introduction the 2026 Donor Event began at Bocconi University, the annual occasion during which the faculty and the students have the chance of meeting some of the many people that contribute every year with their donation to our education. As Tra i Leoni Editor in Chief I had the pleasure to be invited by the student representative to the Board of Directors: our newspaper should do its part in letting as many students know the importance of donations for the University. Between 2021 and 2025, Bocconi raised 90 million euros thanks to more than 6700 donors (3/4 of which former students), using this sum to support students financially, faculty and their research. 1 in 3 students receive financial aid from the University, enabling thousands to afford our expensive education and city. Without donations, many of the fellow classmates that are now on this amazing voyage with us could never have dreamt of it. During the course of the event, presented by Head of Alumni and Fundraising division Erika Zancan, the speakers that came on the stage gave a clear image of donations for the University: among others, both President Sironi and Rector Billari gave their remarks, while we could also hear the stories of students directly supported by donors. Serious moments such as these were also followed by more lighthearted ones, such as the comic video on the beautiful brutalist building that is in Via Röntgen and Dix’s monologue, which rightfully characterized our Rector as Magnifico. All throughout, the music of Paolo Alderighi kept the many spectators engaged. The most touching moment was when Billari remembered the tragic episodes of some months, when one of our fellow students was brutally assaulted and gravely injured in the street of Milano. Thankfully the student himself was present at the event, and as I had hoped soon after the incident, the whole Bocconi Community present on that night gave its warm affection to him. The main event concluded slightly late, and audience quickly rushed out of Aula Magna towards the aperitif, which was prepared in the great hall outside of it. I could give you a precise and detailed discussion of the type of beverages and dishes that were present, a variety worthy of the occasion, but I feel that it would be shifting the focus of this article away from the main topic. Education, especially the good kind, is a scarce good in the modern world, and not every person is able to access what they would wish for. Every single euro that our university receives is put to use to improve this condition, through research and faculty support, and most obviously by directly helping so many of us students. No system is perfect, and no solution is either, but what Bocconi tries to do every year is allow people from all over the world to achieve what they dream of, through hard work and merit. I don’t know about you all, but I think that is something worthy of my future donations.
The bright lights of the majestic Aula Magna that we all know and love slowly faded into darkness, as the piano melody of Professor Paolo Alderighi accompanied on stage the actor Gioele Dix. In the middle of the scene…

Rothko and Florence: A Bond Forged in the Monastery of San Marco

Discover the profound journey of Mark Rothko, the artist who transformed his works into a universal language. Our latest article explores the unbreakable bond between the artist and Florence, from the discovery of Fra Angelico’s frescoes in the Convent of San Marco to the major retrospective at Palazzo Strozzi in 2026. Join us on a journey through the colours and emotions of a master whose legacy remains the ultimate bridge between tragedy and hope.
In this article, we’ll discuss Mark Rothko, recognized as the most influential figure of his generation in the United States. However, the path that led him to become the leading exponent of Abstract Expressionism is not linear. This is…

Il canto di chi non ha perdono 

Articolo in collaborazione con Tra I Leoni. Da Tutti morimmo a stento a La Buona Novella, Fabrizio De André costruisce una poetica degli ultimi che rifiuta di ridurre l’essere umano ai suoi errori, al suo status o alla morale dominante. Indaghiamo come Faber trasformi emarginati, prostitute, ladroni e condannati in voci capaci di interrogare la responsabilità collettiva, osservando l’umanesimo anarchico della sua musica, la critica alle istituzioni punitive e la centralità della pietà come forma radicale di riconoscimento.
di Alessandro Mazza e Chiara Corbella Ogni società si racconta attraverso ciò che celebra; più raramente accetta di riconoscersi in ciò che abbandona. Da questa frattura nasce Tutti morimmo a stento, il primo concept album di De André pubblicato nel 1968 e concepito nella forma di Cantata in si…

Shorter Skirts and Other Economic Forecasts

If you see a guy in a three-piece suit staring out the window at female legs this autumn, don't jump to sexist conclusions. Maybe he's not just a chauvinist pig, after all: he could be diligently seeking clues to the financial future.
The Roaring Twenties were a period of experimentation, boldness, youthfulness at the expense of tradition. Glitz and glamour, paired with underlying simplicity, revitalised post-war fashion, as skirts shortened and silhouettes grew linear. While convenience and rejection of formality were key, beadwork, sequins and embroidery adorned evening-wear. Both waistlines and hemlines mirrored this new sense of audacity, respectively falling and rising throughout the decade. At the…

Normalising the Unthinkable? Russian Chemical Weapons Use in Ukraine

10,000 documented chemical attacks in Ukraine and almost no headlines in the news. Erosion of chemical weapons norms are evident and Russia is exquisitely balancing on the edge of what will be accepted by the international community. This piece is an overview of the current situation, exploring how repeated violations become normalized and what that means for the future of warfare and international law.
10,000 documented chemical attacks in Ukraine and almost no headlines in the news. Erosion of chemical weapons norms are evident and Russia is exquisitely balancing on the edge of what will be accepted by the international community. This piece…

Prompt, token e mercato: come nasce il valore dell’arte digitale

Articolo in collaborazione con Tra I Leoni. Dalle immagini generate dall’intelligenza artificiale agli NFT, l’arte digitale mette in discussione autorialità, proprietà e valore. Indaghiamo come il riconoscimento di un’opera si costruisca oggi attraverso prompt, token, mercato e istituzioni, osservando casi come Damien Hirst, Yves Klein, Marcel Duchamp e il recente ridimensionamento del mercato NFT.
di Greta Beluffi e Luigi Marsero Negli ultimi anni, la circolazione di immagini generate da sistemi di intelligenza artificiale è cresciuta in maniera esponenziale. Grazie a un semplice prompt, sistemi come Midjourney e DALL·E riescono a trasformare poche parole…

Bocconian Ideas for Composition: Stefano Corvino’s Thoughts on Contemporary Musicmaking  

Stefano Corvino, Bocconi alumnus and author of The Lost Composer, presented his piano suite Korean Inventions, Op. 2 in a recording session held in Milan with Spanish pianist Juan Francisco Otón Martínez. Through his reflections on contemporary musicmaking, Corvino criticizes the excessive self-referentiality of parts of the avant-garde and argues for a return to music as emotional and social communication. His artistic vision combines musical complexity with accessibility, proposing a contemporary language capable of reconnecting composers and audiences.
On Friday, April 10th, 2026 the recording of the piano suite Korean Inventions, Op. 2 by Stefano Corvino took place at the milanese studio OFFICINA in Via Tolstoj.  Now a manager at ATOZ Services (Luxembourg), Stefano Corvino belongs to an earlier generation of Bocconi graduates, with…

The Fragile Business of Making Films That Matter

Somewhere between the sequels and the franchises, a different kind of cinema is still quietly fighting for its life.
It begins fittingly, with a whisper of something strange. A girl confesses: “It was I… It was a witch.” At that moment, “The Witch” announces itself as something rare. A film uninterested in pleasing everyone. Austere, unsettling and unapologetically specific. It…

No One Stayed Still: BLPSA’s “Tonight We Gotta Footloose!”

The lights dimmed, the first beat dropped, and for two hours, no one stayed still. With “Tonight We Gotta Footloose!”, BLPSA turned Roentgen’s Aula Magna into something far bigger than a school stage: a space filled with movement, music, and the kind of energy that refuses to sit quietly.
The lights dimmed, the first beat dropped, and for two hours, no one stayed still. With “Tonight We Gotta Footloose!”, BLPSA turned Roentgen’s Aula Magna into something far bigger than a school stage: a space filled with movement, music,…