21 May 2026 – Thursday
21 May 2026 – Thursday

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Somewhere between the sequels and the franchises, a different kind of cinema is still quietly fighting for its life.
It begins fittingly, with a whisper of something strange. A girl confesses: “It was I… It was a witch.” At that moment, “The Witch” announces itself as something rare. A film uninterested in pleasing everyone. Austere, unsettling and unapologetically specific. It is also, not coincidentally, an A24 film.  Over the past decade, A24 has become synonymous with moody, director-driven filmmaking. The kind of filmmaking that is lightly tilted from the ordinary. Alongside peers…

Artista, fotocamera, soggetto: un ritratto del rapporto individuo – società 

Articolo in collaborazione con L'Eclisse. Da sempre gli artisti hanno rappresentato il rapporto individuo-società e l'arte ci permette di coglierne i mutamenti. Indaghiamo come questa relazione si presenti nell'epoca contemporanea, osservando gli spazi privati e pubblici immortalati nelle fotografie di Menno Aden e Christopher Herwig.
di Elena Floris e Alice Di Terlizzi L’essere umano è sempre stato oggetto di studio degli artisti: prendendo in considerazione come il rapporto di uomini e donne con la società cambi continuamente, l’artista si avvicina ad esaminare i fenomeni…

Fashion is Art

The Met Gala returns with the theme “Fashion is Art”, turning the red carpet of New York City into a space where clothes become means of expressions: not just a series of dresses, but a reflection of our society.
Every first Monday of May, New York briefly shifts its focus. The steps of the Metropolitan Museum of Art transform: from being just an entrance to becoming a stage to be observed, photographed, interpreted. The Met Gala is often reduced to what we see the…

Columns

What does it mean to speak of revolution today? Not a rupture, but a process: uncertain, plural, unfolding through language and everyday shifts. Change resists spectacle: it emerges through hesitation and dialogue, quietly reshaping what can be thought, said, and lived. Long before it ever becomes visible in the streets.
What does it mean to speak of revolution today? Not a rupture, but a process: uncertain, plural, unfolding through language and everyday shifts. Change resists spectacle: it emerges through hesitation and dialogue, quietly reshaping…
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No One Stayed Still: BLPSA’s “Tonight We Gotta Footloose!”

The lights dimmed, the first beat dropped, and for two hours, no one stayed still. With “Tonight We Gotta Footloose!”, BLPSA turned Roentgen’s Aula Magna into something far bigger than a school stage: a space filled with movement, music, and the kind of energy that refuses to sit quietly.
The lights dimmed, the first beat dropped, and for two hours, no one stayed still. With “Tonight We Gotta Footloose!”, BLPSA turned Roentgen’s Aula Magna into something far bigger than a school stage: a space filled with movement, music,…

Tra i Leoni n. 111, May 2026

Every revolution begins with a road. Revolutionary Roads grows from this idea: that change is not a sudden moment, but a path shaped by everyday choices, words, practices, and direction. Revolution is discipline. It is a practice. It is something we return to, again and again. In this issue, we move through the spaces where revolution takes form, across institutions, images, streets, culture, and within ourselves.
Every revolution begins with a road. Revolutionary Roads grows from this idea: that change is not a sudden moment, but a path shaped by everyday choices, words, practices, and direction. Revolution is discipline. It is a practice. It is…

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