5 June 2026 – Friday
5 June 2026 – Friday

Il canto di chi non ha perdono 

Shorter Skirts and Other Economic Forecasts

Normalising the Unthinkable? Russian Chemical Weapons Use in Ukraine

Prompt, token e mercato: come nasce il valore dell’arte digitale

Bocconian Ideas for Composition: Stefano Corvino’s Thoughts on Contemporary Musicmaking  

The Fragile Business of Making Films That Matter

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Articolo in collaborazione con Tra I Leoni. Da Tutti morimmo a stento a La Buona Novella, Fabrizio De André costruisce una poetica degli ultimi che rifiuta di ridurre l’essere umano ai suoi errori, al suo status o alla morale dominante. Indaghiamo come Faber trasformi emarginati, prostitute, ladroni e condannati in voci capaci di interrogare la responsabilità collettiva, osservando l’umanesimo anarchico della sua musica, la critica alle istituzioni punitive e la centralità della pietà come forma radicale di riconoscimento.
di Alessandro Mazza e Chiara Corbella Ogni società si racconta attraverso ciò che celebra; più raramente accetta di riconoscersi in ciò che abbandona. Da questa frattura nasce Tutti morimmo a stento, il primo concept album di De André pubblicato nel 1968 e concepito nella forma di Cantata in si minore per solo, coro e orchestra. L’opera reca un’ambizione liturgica più che discografica, configurandosi in una cantata nera con finestre aperte sul mondo, attraverso le quali l’ascoltatore è costretto a confrontarsi con una cupa, ma lucidissima, riflessione sull’emarginazione sociale e sulla responsabilità collettiva che…
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No One Stayed Still: BLPSA’s “Tonight We Gotta Footloose!”

The lights dimmed, the first beat dropped, and for two hours, no one stayed still. With “Tonight We Gotta Footloose!”, BLPSA turned Roentgen’s Aula Magna into something far bigger than a school stage: a space filled with movement, music, and the kind of energy that refuses to sit quietly.
The lights dimmed, the first beat dropped, and for two hours, no one stayed still. With “Tonight We Gotta Footloose!”, BLPSA turned Roentgen’s Aula Magna into something far bigger than a school stage: a space filled with movement, music,…
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Tra i Leoni n. 111, May 2026

Every revolution begins with a road. Revolutionary Roads grows from this idea: that change is not a sudden moment, but a path shaped by everyday choices, words, practices, and direction. Revolution is discipline. It is a practice. It is something we return to, again and again. In this issue, we move through the spaces where revolution takes form, across institutions, images, streets, culture, and within ourselves.
Every revolution begins with a road. Revolutionary Roads grows from this idea: that change is not a sudden moment, but a path shaped by everyday choices, words, practices, and direction. Revolution is discipline. It is a practice. It is…

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Prompt, token e mercato: come nasce il valore dell’arte digitale

Articolo in collaborazione con Tra I Leoni. Dalle immagini generate dall’intelligenza artificiale agli NFT, l’arte digitale mette in discussione autorialità, proprietà e valore. Indaghiamo come il riconoscimento di un’opera si costruisca oggi attraverso prompt, token, mercato e istituzioni, osservando casi come Damien Hirst, Yves Klein, Marcel Duchamp e il recente ridimensionamento del mercato NFT.
di Greta Beluffi e Luigi Marsero Negli ultimi anni, la circolazione di immagini generate da sistemi di intelligenza artificiale è cresciuta in maniera esponenziale. Grazie a un semplice prompt, sistemi come Midjourney e DALL·E…
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Bocconian Ideas for Composition: Stefano Corvino’s Thoughts on Contemporary Musicmaking  

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The Fragile Business of Making Films That Matter

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Shorter Skirts and Other Economic Forecasts

If you see a guy in a three-piece suit staring out the window at female legs this autumn, don't jump to sexist conclusions. Maybe he's not just a chauvinist pig, after all: he could be diligently seeking clues to the financial future.
The Roaring Twenties were a period of experimentation, boldness, youthfulness at the expense of tradition. Glitz and glamour, paired with underlying simplicity, revitalised post-war fashion, as skirts shortened and silhouettes grew linear. While convenience and rejection of formality were key, beadwork, sequins and embroidery adorned evening-wear. Both waistlines and hemlines mirrored this new sense of audacity, respectively falling and rising throughout the decade. At the…
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Normalising the Unthinkable? Russian Chemical Weapons Use in Ukraine

10,000 documented chemical attacks in Ukraine and almost no headlines in the news. Erosion of chemical weapons norms are evident and Russia is exquisitely balancing on the edge of what will be accepted by the international community. This piece is an overview of the current situation, exploring how repeated violations become normalized and what that means for the future of warfare and international law.
10,000 documented chemical attacks in Ukraine and almost no headlines in the news. Erosion of chemical weapons norms are evident and Russia is exquisitely balancing on the edge of what will be accepted by the international community. This piece…

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Tra i Leoni n. 111, May 2026

Tra i Leoni n. 110, December 2025

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