12 October 2026 – Monday
12 October 2026 – Monday

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The Monday Briefing welcomes some fresh faces this week, in which we highlight the protest movement sweeping France. Still in France, we discuss Mistral, Europe’s leading LLM model. Elsewhere, we talk about the three-year anniversary of the October 7th attacks, the Nobel Peace Prize, a deal between Putin and Trump, and oil in Trinidad and Tobago. In economic news, we cover the sale of British retailer Boots, a billionaire tax in California, and apocalyptic warnings on AI.
The Monday Briefing welcomes some fresh faces this week, in which we highlight the student movement sweeping France. Still in France, we discuss Mistral, Europe’s leading LLM model. Elsewhere, we talk about the three-year anniversary of the October 7th attacks, the Nobel Peace Prize, a deal between Putin and Trump, and oil in Trinidad and Tobago. In economic news, we cover the sale of British retailer Boots, a billionaire…

Monday Briefing 28/09/2026

Today’s Monday Briefing highlights the restart of the extremely deadly Ethiopian civil war. Here in Italy, we discuss rhetoric around fashion and feminism. Around the world, we cover a dispute between Anthropic and the US government, the effects of Houthi attacks on Middle Eastern diplomacy, and lacklustre education results in Latin America.
Today’s Monday Briefing highlights the restart of the extremely deadly Ethiopian civil war. Here in Italy, we discuss rhetoric around fashion and feminism. Around the world, we cover a dispute between Anthropic and the US government, the effects of…

Too Big to be Seen: Leonardo’s Salvator Mundi and the $450 Million Silence 

Discover the story of the Salvator Mundi, the most expensive work in art history. From its record-breaking $450 million sale to its current mysterious disappearance, the "Last Da Vinci" has transformed from a painting into a globally recognized asset. It is the ultimate example of the "Too Big to Fail" phenomenon, where the power of the "Leonardo Brand" turns a masterpiece into a financial and political necessity.
In this article, we’ll discuss the most expensive work in the history of art: Leonardo da Vinci’s Salvator Mundi. Indeed, beyond the record-breaking price the work sold for at auction, the debate around it is fuelled by its dubious…

Columns

In today’s Monday Briefing, we highlight the Spanish housing crisis and how European countries have been unable to resolve the continent’s increasingly dire real-estate situation. We then cover Andy Burnham’s vision for the UK, Brazil’s general election results, and Israeli presence in East Africa. Finally, we discuss Cornell’s sexual assault case.
In today’s Monday Briefing, we highlight the Spanish housing crisis and how European countries have been unable to resolve the continent’s increasingly dire real-estate situation. We then cover Andy Burnham’s vision for the UK,…
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Whose Future Are We Protecting?

We are very good at being horrified for a few minutes. We read the messages. We shake our heads. We say that something should have been done. Then we close Instagram, go to class, meet our friends, complain about our day, and eventually forget. Someone else does not get to forget on command. And perhaps that is where our responsibility begins. In the friend who refuses to laugh. In the person who speaks when everyone else stays quiet. In the institution that keeps caring after the headlines disappear. In the stranger who chooses compassion over curiosity. In all the moments when protecting someone costs us something, and we decide they are still worth protecting. It is easy to say that survivors are not alone. But it is much harder to make sure they actually are not. Whose future are we protecting?
We are very good at being horrified for a few minutes. We read the messages. We shake our heads. We say that something should have been done. Then we close Instagram, go to class, meet our friends, complain about…

The Industrial Revolution and Its Not-So-Artful Consequences 

The Industrial Revolution changed the world around artists, so naturally, it changed their art too. From escaping into nature to resisting mass production, artists found different ways to respond to a world increasingly shaped by machines. Their work shows a side of industrial progress that inventions and production numbers alone could never capture.
Before factories became symbols of progress, they were intrusions on nature and society. Landscapes shaped by agriculture and small communities were cut through by railways and consumed by expanding cities. Work changed with them. Manufacturing moved into factories. Labour…

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