20 June 2026 – Saturday
20 June 2026 – Saturday

The Author is Dead, Long Live the Large Language Model (A title proudly generated by Claude itself) 

Private credit sotto pressione: sempre meno “private” e sempre meno “credit”? 

Marjane Satrapi and the Art of Refusing Silence   

Gordon Matta-Clark, Anarchitecture and the Honesty of the Demolished 

The Female Figure as Cultural Mirror: A Comparative Study of The Burial of Atala, Street, Berlin, and Woman I

This Must Be the Place: Bocconi Donor Event 2026

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Writing is not simply a way of expressing thought, but part of the process through which thought is formed. The danger is not that AI interventions make writing easier; it is that they displace the process by which thinking tends to occur: through the gradual articulation of ideas marked by hesitation and reformulation.
* When asked to describe Paolo’s writing, I observed the following patterns. He arrives at the abstract through one specific image, and trusts the image to do the work — a window in Naples, a pair of lost fingerprints, apamphlet stumbled across in Turin — letting the argument unfold rather than announcing it in advance. He builds long sentences that change direction mid-clause, often hinging on a semicolon. He places one unusual, precise word in each…
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Rothko and Florence: A Bond Forged in the Monastery of San Marco

Discover the profound journey of Mark Rothko, the artist who transformed his works into a universal language. Our latest article explores the unbreakable bond between the artist and Florence, from the discovery of Fra Angelico’s frescoes in the Convent of San Marco to the major retrospective at Palazzo Strozzi in 2026. Join us on a journey through the colours and emotions of a master whose legacy remains the ultimate bridge between tragedy and hope.
In this article, we’ll discuss Mark Rothko, recognized as the most influential figure of his generation in the United States. However, the path that led him to become the leading exponent of Abstract Expressionism is not linear. This is…
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Il canto di chi non ha perdono 

Articolo in collaborazione con Tra I Leoni. Da Tutti morimmo a stento a La Buona Novella, Fabrizio De André costruisce una poetica degli ultimi che rifiuta di ridurre l’essere umano ai suoi errori, al suo status o alla morale dominante. Indaghiamo come Faber trasformi emarginati, prostitute, ladroni e condannati in voci capaci di interrogare la responsabilità collettiva, osservando l’umanesimo anarchico della sua musica, la critica alle istituzioni punitive e la centralità della pietà come forma radicale di riconoscimento.
di Alessandro Mazza e Chiara Corbella Ogni società si racconta attraverso ciò che celebra; più raramente accetta di riconoscersi in ciò che abbandona. Da questa frattura nasce Tutti morimmo a stento, il primo concept album di De André pubblicato nel 1968 e concepito nella forma di Cantata in si…

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Gordon Matta-Clark, Anarchitecture and the Honesty of the Demolished 

Gordon Matta-Clark- an architect who never built a single thing, yet spent the 1970s slicing through abandoned buildings. His art was a political act of resistance to ownership, driven by the motivation to expose the anatomy of the city. Fifty years later, those same buildings are luxury lofts, and the wounds have been sold.
What we think of today when someone mentions the district of SOHO in New York is luxury: a place of expensive designer boutiques, making it the top shopping destination. What also characterizes the neighborhood…
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The Female Figure as Cultural Mirror: A Comparative Study of The Burial of Atala, Street, Berlin, and Woman I

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This Must Be the Place: Bocconi Donor Event 2026

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Private credit sotto pressione: sempre meno “private” e sempre meno “credit”? 

In un contesto economico e geopolitico instabile, le reazioni dei mercati e le aspettative degli investitori tendono a influenzarsi in modo reciproco, con effetti sull’intero sistema finanziario. In questo quadro, il private credit è tornato al centro dell’attenzione, non tanto per una crisi…
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Marjane Satrapi and the Art of Refusing Silence   

Behind Marjane Satrapi’s black-and-white drawings lies a story of childhood memories, exile, and political resistance. Her work began as an autobiography and today, after her passing, we can see how it has become a manifesto for women’s freedom and equality.
Marjane Satrapi, the Iranian-French artist, writer, and filmmaker, passed away at the age of 56. Best known for her memoir Persepolis, Satrapi was one of the most important voices in visual contemporary visual storytelling. Her death marked the end of a deeply impactful life, both artistically and…

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Tra i Leoni n. 111, May 2026

Tra i Leoni n. 110, December 2025

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